The End 

Origami rabbit designed by Jun Maekawa

                               And I learnt to do it thanks to www.happyfolding.com 
                                        where demonstrated how to fold by Sara Adams.

I aim to use folding with my fabrics. 

But I have so enjoyed feeling extremely

stupid with this rabbit. Took about 20 to learn it. 

And sorry, still no cyanotypes. There just is not enough sun.

New fauna in sight. They lack theet, and therefore have short life expectancy. 

Never mind, it is after all more about quality than quantity.

Dancers have risen from the darkness of old
beercellars.
Marked by mould, but fresh after foamy bath.(Now happily performing in redlights district in Vilnius) 

And now current version dancing in Art Center Ahjo until 8.10.

And testing in Schloss Wiepersfdorf studio later on 2016

  Here is the beginning of Four Dancers. In Black Wall Gallery in Vaasa 2016

Shadows in Art Center Ahjo 17.9.-8.10.17

The Great Blue collection, cyanotypes on cotton and silk

Show Must Go On and Belive In in the middle, 2016

Lost Boys, 2016, cyanotype on fabric 

Black Heart, 2016, cyanotype on fabric, tinfoil, paints 

And So We Burnt, 2016, cyanotype, silkpaint, gauze, light

Four Dancers, 2017, velvet, sequins, lights, motors 

      

Detail from a part of a serie Show Must Go On (2015-)

 Cyanotype on fabric. Bedsheet size, sun and artifical UV. 

And something new hidden in the schloss

Still hanging in Wiepersdorf

 

 No cyanotypes but shinies for 

Höhler Biennale 2017 

held in Gera, Germany 23.6.-15.10.

Coming up, a hand... Drawn negative.